AR Archives | NFT CULTURE https://www.nftculture.com/tag/ar/ NFT News, Web3 Artists, NFT Collectors, NFT Marketplaces and more Tue, 09 May 2023 11:15:27 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.3 https://d34jlxpwrja7q9.cloudfront.net/wp-content/uploads/2022/01/cropped-EmpressRegnant_1080_PNG-32x32.png AR Archives | NFT CULTURE https://www.nftculture.com/tag/ar/ 32 32 The Struggle of NFTs in the Face of Shifting Crypto Trends and High Gas Fees https://www.nftculture.com/nft-news/the-struggle-of-nfts-in-the-face-of-shifting-crypto-trends-and-high-gas-fees/ Tue, 09 May 2023 11:15:13 +0000 https://www.nftculture.com/?p=16945

Non-fungible tokens (NFTs) have taken the digital art world by storm, but they are now struggling to maintain their position as the hype cycle shifts and gas fees rise on the Ethereum network. In this blog post, we will explore the reasons behind these challenges, who is most impacted, and […]

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Non-fungible tokens (NFTs) have taken the digital art world by storm, but they are now struggling to maintain their position as the hype cycle shifts and gas fees rise on the Ethereum network. In this blog post, we will explore the reasons behind these challenges, who is most impacted, and potential solutions for artists and collectors alike.

Shifting Crypto Trends

The crypto markets are known for following trends, and this year has been no exception. We’ve seen the emergence of farming NFTs on BLUR, the shift to Open Edition and burn mechanics on manifold, and a renewed focus on altcoins. The ease of creating ERC-20 contracts has shifted the narrative back to high-risk gambling for the crypto community. Consequently, the attention that was once focused on NFTs has waned, and artists are left grappling with these changing market dynamics.

High Gas Fees and Its Impact

The influx of funds chasing altcoins and meme coins has made the Ethereum network incredibly expensive for NFT participants. Profile Picture (PFP) projects, Web3 Games, and especially 1/1 artists are hurt the most. The constant appearance of memecoins and the competition among power users to get in quickly have led to skyrocketing gas fees that impact the entire network.

Artists are greatly impacted by high gas fees

One option for artists to circumvent high gas fees and the uncertainty surrounding NFTs is to work directly with collectors and facilitate private sales of art. If the art is already minted, fees can be lower in this scenario, as long as there is trust between the artist and the collector. However, adding a middleman or escrow service negates much of the potential savings due to the additional transaction involved.

High gas fees on the Ethereum network have significantly impacted both artists and collectors. For artists, the cost of minting new NFTs has become prohibitively expensive. Settling auctions and transferring ownership of NFTs can also incur high fees, discouraging collectors from participating in auctions or purchasing artwork directly. This, in turn, can lead to reduced demand and lower prices for NFT art.

Fear, uncertainty, and doubt (FUD) can further exacerbate the challenges faced by artists and collectors. As the hype around NFTs subsides and crypto trends shift, speculators may lose interest, causing the market for NFTs to contract. A decline in demand can lead to lower prices, making it even harder for artists to recoup their initial investment in minting and marketing their artwork.

Working directly with collectors can help artists bypass some of these challenges by establishing personal connections and building a loyal customer base. Artists can also use this approach to gain valuable feedback from collectors, helping them to refine their work and better understand market preferences.

Furthermore, by engaging directly with collectors, artists can educate them about the value of their work beyond mere speculation and hype. This can help to build a more sustainable market for NFT art, as collectors come to appreciate the artistic merit and intrinsic value of the pieces they acquire.

To mitigate the impact of high gas fees and the challenges posed by FUD and speculation, artists can explore various strategies such as offering discounts for bulk purchases, providing exclusive access to future work, or bundling digital and physical goods as part of the sale. By offering added value and fostering a sense of community among their collectors, artists can better navigate the uncertainties and fluctuations in the NFT market.

Exploring Alternative Blockchains

The struggles of NFTs on the Ethereum network create an opportunity for alternative blockchains to gain traction. If enough talented artists begin using other blockchains, it can provide a stronger footing for those networks. Tezos, Polygon, and other emerging blockchains are all vying for a piece of the NFT market.

Tezos has become a reliable alternative blockchain for art, and this could be their moment to shine and come out ahead in the race for NFT dominance. Meanwhile, Polygon, an Ethereum-compatible scaling solution, offers a fast and low-cost alternative for minting and trading NFTs. The Polygon network has already attracted a number of artists and NFT platforms due to its compatibility with Ethereum and significantly reduced gas fees.

Other blockchains, such as Solana are also making strides in the NFT space, offering artists various options when it comes to minting and trading their digital art. As artists explore these alternatives, it’s crucial to weigh the pros and cons of each platform to determine which best suits their needs.

 

Collaborating with Other Artists and Brands

Another strategy for artists to gain exposure and overcome the challenges facing the NFT market is to collaborate with fellow artists or well-known brands. These collaborations can lead to unique and valuable digital art pieces that attract collectors and media attention. Collaborative efforts can also help artists learn from each other and expand their creative horizons, resulting in innovative and exciting artwork that stands out in the crowded NFT space.

The hype cycle’s shift and high gas fees on the Ethereum network have undoubtedly impacted the NFT market, with artists bearing the brunt of these challenges. By working directly with collectors, considering alternative blockchains like Tezos and Polygon, leveraging AR/VR technologies, and collaborating with other artists or brands, artists and collectors can find ways to navigate these turbulent times. While the future of NFTs remains uncertain, the adaptability and resourcefulness of the art community will undoubtedly play a significant role in determining the path forward.

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Apple Stock Jumps on Metaverse Tease https://www.nftculture.com/nft-news/apple-stock-jumps-on-metaverse-tease/ https://www.nftculture.com/nft-news/apple-stock-jumps-on-metaverse-tease/#respond Fri, 28 Jan 2022 12:50:54 +0000 https://www.nftculture.com/?p=6482

Apple stock jumped nearly 5% after hours with comments made by Tim Cook about the companies plans to explore augmented reality and the metaverse. “We see a lot of potential in this space and are investing accordingly,” said Cook, in response to a question about its plans for the metaverse, […]

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Apple stock jumped nearly 5% after hours with comments made by Tim Cook about the companies plans to explore augmented reality and the metaverse.

“We see a lot of potential in this space and are investing accordingly,” said Cook, in response to a question about its plans for the metaverse, a broad term that generally refers to shared virtual world environments that people can access via the internet.

An AR device could open many opportunities to grow subscriptions. Existing offerings for fitness workouts and video content could grow more attractive through immersive AR experiences.

What is Augmented Reality and why does it matter for apple and the metaverse

Augmented Reality (AR) is the integration of digital information with the user’s environment in real time.

AR overlays are becoming more popular because they are less obtrusive than VR headsets. AR can be accessed by using a smartphone or tablet, while VR needs to be experienced through a headset.

Augmented Reality is not just about adding graphics to your environment, but also about adding information that will change how you interact with it.

Apple is working on a pair of augmented reality glasses that will be able to project images and video onto the lenses, according to people familiar with the company’s plans.

The device would be able to show users information about the world around them without requiring them to look down at a screen. Apple has ordered near-eye displays from companies including Samsung and LG, according to these people.

The Metaverse is a virtual world that exists electronically. It is a computer-generated space that people can interact with.

The Metaverse is a virtual reality which exists electronically. It is a computer-generated space that people can interact with, in the form of text, graphics, video, or audio. The term was coined by Neal Stephenson in his 1992 novel Snow Crash.

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NFT Artist Interview: Dr. Helen Papagiannis https://www.nftculture.com/nft-artist-interviews/dr-helen-papagiannis/ https://www.nftculture.com/nft-artist-interviews/dr-helen-papagiannis/#respond Fri, 16 Apr 2021 05:26:47 +0000 https://www.nftculture.com/?p=2009

Dr. Helen Papagiannis from Toronto, Canada has been working with Augmented Reality (AR) as an artist and designer since 2005. She is the author of “Augmented Human: How Technology Is Shaping The New Reality.” Dr. Papagiannis was named “an influential pioneer in AR and VR shaping the next wave of […]

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Dr. Helen Papagiannis from Toronto, Canada has been working with Augmented Reality (AR) as an artist and designer since 2005. She is the author of “Augmented Human: How Technology Is Shaping The New Reality.” Dr. Papagiannis was named “an influential pioneer in AR and VR shaping the next wave of computing” by Augmented World Expo.  We loved meeting Dr. Helen Papagiannis and thoroughly enjoyed this interview as it was one of of the most thoughtful interviews we’ve had to date.  We hope you love it too.

Dr. Helen Papagiannis, Thank you for agreeing to this interview. We’re incredibly excited about your art and the blending of digital and non-digital spaces through NFTs and Augmented Reality. How did you get started? 

I first started making art with Augmented Reality 15 years ago. I remember experiencing my first AR demo and being totally awestruck! It was super simple: just a blue 3D cube, no interactivity, but I was completely mesmerized that there was something in my physical reality that wasn’t actually there! I was hooked from that moment and began to make work endlessly experimenting and pushing the limits of the medium.
My background and studies are originally in the fine arts. Printmaking, photography,  collage, and sculpture led me to Augmented Reality. The ability to layer materials and create new hybrid realities has always fascinated me.
I began to experiment with the crossover between my physical art and digital tools in the 90s (I remember using Photoshop version 1, ha!). I’ve always loved the crossover between analog and digital, which Augmented Reality is a perfect combination of.
Art is my bliss and a way to bring my dreams to life.

What made you pursue NFTs as form of art?

AR and NFTs are a perfect pairing. I wrote an article in Harvard Business Review last year where I discussed the future of digital goods and the possibilities for AR. NFTs are the evolution of that and virtual art.
I had just completed an AR commission for Adobe (featured in their AR app) and came across an article on NFTs by Scott Belsky, Adobe’s Chief Product Officer. Scott described crypto art as being made for the future where AR enhances our world and how we’ll seek meaningful objects to surround ourselves with.
I completely agree and am massively excited for the possibilities in this space. After minting my first piece and being immersed in the NFT community (which is so incredibly welcoming and supportive), I see the future so clearly!

Who is your favorite NFT artist?

Blake Kathryn. I initially fell in love with her work while being an early tester for the mobile game HoloVista by Aconite. I want to walk inside her dreamy worlds! She’s doing amazing things in the NFT space and I’m excited to watch her star continue to rise.

What is the one piece of NFT art you wish you had purchased but missed out on? 

Michael Kozlowski’s “Perpetuation: Figure Study”. It’s a mesmerizing piece and Michael is super talented. I love how the work references the foundational exercise of figure drawing, yet expands on that in new ways with computational methods. 3FMusic has an outstanding collection, and Micheal’s work is an incredible addition to it. I’m happy for them both! And I’m grateful to Michael for inviting me to Foundation as a creator.

Who is your favorite artists (Non NFT)? 

So many artists inspire me in multiple ways. I adore Iris van Herpen. Her work is absolutely otherworldly and so elegant. Michel Gondry is super imaginative and bends time. I have so many influences from Art History as well like Max Ernst’s collage and Surrealist work. Emily Carr’s paintings radiate so much life, you can feel the landscape pulsing. It’s incredibly transformative to be in the presence of her work.

We ask every artist this question, what is one thing you cannot live without?

Water. Actually! I also love being by the sea and bodies of water whenever I can. It calms me and you’ll often find references to the sea in my work, including my first NFT “Sea Real AR”.

If you could travel anywhere in the world where would you go? 

I’ve been very fortunate to travel around the globe for both keynotes and pleasure. I haven’t travelled for over a year due to the pandemic. I miss Greece. My recent AR NFT collection is inspired by Greek mythology and folklore and perhaps it’s been a way for me to reconnect with and pay homage to the places I currently can’t travel to, but remain in my heart.

What are your other passions besides art? 

Mindfulness and meditation. It’s something I try to instill in my work by creating contemplative pieces that invite stillness.

What other forms of art do you create? 

Photography is another form of meditation for me. I once heard when you give the ordinary extra attention you get to something universal, something extraordinary. I use the camera as a means for framing that mantra. My tilt shift photography is one example of that in practice and was featured at TEDx Dubai in 2011.
And despite my work being so heavily rooted in the virtual, I enjoy paper craft and making popups! I designed the world’s first AR popup book using image recognition on the iPad in 2011. It was also featured in my TEDx Dubai talk.

How did you come up with your specific style? 

Art has always been about play and experimentation for me with form and pattern: how things relate to one another with flow and synchronicity or contrast. With Augmented Reality, my artwork considers the surrounding physical world and the conversation between the two, stylistically with shapes, lines, and colour, and also thematically. I’ll often have a setting or place in mind that I want to augment, and I then take cues from that location to inform the work. Other times, I’ll have a vision for an AR piece I want to create purely from my imagination, with no specific physical space. Then it’s about finding the right home for that virtual piece and where it belongs in the real world.

How has your style evolved over the years?

When I first started making work in Augmented Reality 15 years ago, it was very much about experimenting with what the technology could do and pushing it beyond its limits. My artistic practice was predominately cinematic at that time, while the (small) industry was heavily focused on 3D. I saw AR then as a form of early cinema and made references in my work to that era.

My work and style evolved as the technology progressed and I was intimately familiar with the characteristics of the medium and the technological capacities. Now instead of technology, storytelling drove my work, and my style began to come into its own.

What is coming in the near future?

We’re just at the very beginning of AR and NFTs. It feels like when I started back in 2005, that same pioneering spirit of discovery and experimentation is very much present. Augmented Reality is a new form of creative expression and we will see more artists enter the space creating NFT work that extends AR into new sensorial experiences.

If you could collaborate with one artist who would it be?

It would be excellent to collaborate with Krista Kim. I share her vision for a Digital Zen. Krista’s work has powerful qualities: her colour scapes and atmospheres are beautiful healing spaces. Krista is committed to NFTs for wellbeing and uplifting humanity, and we’re very much aligned here as well. In my book “Augmented Human,” I write about how it’s not just about augmenting reality, it’s about augmenting humanity. I think we could be an unstoppable duo in the space 🙂

Do you have any upcoming drops?

Yes! I’ll be releasing new AR work in the next month I’ve exclusively created as NFTs. Keep your eyes on my Twitter (I’m @ARstories) for special announcements!

Where can collectors learn more about you? 

Link to Website:
Social links:
My book “Augmented Human: How Technology Is Shaping The New Reality” is available in 5 languages worldwide and is a great resource for those interested in the field and what’s possible.

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