In the vibrant landscape of digital art and NFTs, Nigerian photographer and digital artist Nddy stands out as a beacon of innovation and creativity. With a career spanning over two years in the NFT space, Nddy has skillfully navigated the complex world of art, technology, and community to create timeless pieces that resonate deeply with viewers around the globe.

Early Beginnings: From Hobby to Passion

Nddy’s artistic journey began in 2017, rooted in a passion for capturing life’s essence through the lens of a camera. Despite initial familial reservations and being camera shy, Nddy embraced photography, using a phone to explore and document the world. This early challenge didn’t deter Nddy; instead, it fueled a determination to turn a hobby into a career, laying the groundwork for a future in digital art.

Transition to Digital Art and NFTs

The shift from traditional photography to pioneering digital art was catalyzed by Nddy’s introduction to NFTs in late 2021. Initially drawn by the financial prospects, Nddy quickly recognized the broader potential of NFTs to provide global visibility and transform personal art into a recognizable brand.

Can you walk us through your journey from traditional photography to becoming a pioneering digital artist within the NFT space? What motivated this transition?

My journey began with a passion for traditional photography, capturing life’s essence through my lens. Transitioning to digital art and the NFT space in late 2021 was a pivotal moment. Initially, the financial prospects of NFTs caught my attention, but I quickly realized the potential for global visibility and brand development for my art. This shift was driven by a desire to innovate while staying true to my roots, blending tradition with modern digital expression.

Who or what are your biggest artistic influences, and how do they shape your approach to creating digital art and photography?

My artistic vision is heavily influenced by my Nigerian culture, history, and the environment around me. These influences have been instrumental in shaping my approach to digital art, allowing me to infuse traditional elements with a contemporary twist. The diverse artists and genres I’ve encountered in the NFT space have further inspired me to explore and integrate various cultural and historical themes into my work.

Having been in the NFT space for about two years, how have you seen the landscape change for artists and collectors alike? What do you believe the future holds for crypto art?

The NFT landscape has evolved significantly, offering both opportunities and challenges. The bear and bull markets have shaped the space, emphasizing the importance of community and genuine engagement over short-term trends. I believe the future of crypto art is bright, with potential for further growth and innovation, mirroring the early days of social media.

You’ve mentioned the importance of creating connections with other artists and collectors. How has this network impacted your growth and visibility in the NFT community?

Building strong connections within the NFT community has been crucial for my growth and visibility. These relationships have not only provided support and encouragement but also opportunities to showcase my work on international platforms, breaking barriers and reaching a wider audience.

With your work featured on platforms like OpenSea, Foundation, and exhibitions like MONOLITH Gallery VII and NFT NYC, what factors guide your choice of platforms or exhibitions to showcase your art?

When choosing platforms and exhibitions, I look for those that align with my goals of brand building and reaching a diverse audience. I prioritize platforms that are art-focused and offer artist-friendly features, as well as exhibitions that have the potential to connect me with collectors and artists who appreciate the depth and narrative of my work.

GE

“Black Matters” is now on @juujuumama @ItanWorld on @foundation

Black is not dark, black is bright, black is energy, black is bold, black is gold, black is every color all together, black shines brightest. Black is everything beautiful.https://t.co/Cbwi7wMH9N pic.twitter.com/QLBFQwpONm

— Nddy (@Nddy_1759) October 29, 2023

Could you share the inspiration or story behind one of your pieces that holds particular significance to you?

One of my favorite pieces, ‘Adaugo,’ is inspired by my childhood memories and the traditions of Igbo land. It reflects on the role of first daughters and celebrates cultural heritage through the intricate details of attire and symbolism, embodying my journey and connection to my roots.

As a Nigerian artist, how do you balance the global appeal of NFTs with incorporating elements of your local culture and experiences into your artwork?

Balancing the global and local aspects involves embracing my Nigerian heritage while ensuring my art remains relevant on a global scale. I strive to create pieces that tell unique stories, bridging cultural gaps and resonating with a wide audience without losing the essence of where I come from.

What have been some of the most significant challenges you’ve faced in the NFT space, and how have you overcome them?

Navigating the space to find a supportive community and connect with the right collectors were significant challenges. Overcoming these obstacles involved patience, perseverance, and a commitment to my artistic vision, leading to meaningful connections and a sense of belonging within the African NFT community.

My advice is to thoroughly research the NFT space, reach out to established artists for insights, and embrace patience. Celebrate every achievement, learn from each experience, and enjoy the journey, understanding that challenges are part of the growth process. -Nddy

What’s next for Nddy? Are there any upcoming projects, collaborations, or exhibitions that you’re particularly excited about?

I’m focused on continuing my artistic exploration and brand development. I’m excited about my upcoming project release and the NFT_NYC 2024 exhibition, where I’ll showcase one of my favorite projects. These opportunities represent the next steps in my journey, promising growth, innovation, and greater visibility in the global NFT space.

Looking Forward

With eyes set on greatness, Nddy continues to explore new projects and eagerly anticipates showcasing work at NFT_NYC 2024. The journey ahead promises further exploration, growth, and the unfolding of an artistic legacy that bridges the local and global, traditional and innovative.

TL;DR: Nddy, a Nigerian photographer turned digital artist, shares insights into a journey marked by growth, challenges, and the transformative power of NFTs. From early beginnings to global exhibitions, Nddy’s story is a testament to the importance of cultural roots, community, and embracing the digital evolution.

The post The Art of Connection: Nddy’s Journey from Photographer to NFT Innovator appeared first on NFT CULTURE.

Celebrating Resilience and Color in the Midst of Darkness

Berlin-based Brazilian artist Rodrigo Bardin announces the release of his captivating art collection, “COLORIDA,” exclusively on the Ethereum Blockchain on December 5th, 2023. This collection is not just an array of artworks; it’s a profound narrative of transformation and healing.

The Genesis of “COLORIDA“

Crafted on the enigmatic streets of Berlin between 2021 and 2022, “COLORIDA” consists of 30 artworks, each telling a story of resilience. These pieces were deeply influenced by Bardin’s harrowing experience of an express kidnapping in São Paulo, Brazil. This traumatic event, where he faced death at gunpoint, became a turning point in his life and art.

The Artworks: A Blend of Fear and Beauty

The collection comprises 29 unique 1/1 pieces and one limited edition of 30, available for 0.35 and 0.035 ETH respectively. Each artwork embodies the artist’s journey through fear, resilience, and the therapeutic power of art. In a special gesture, Bardin offers a print as a gift to the first collector of each 1/1 piece.

The Creative Process: A Nighttime Odyssey

Bardin’s work is a testament to his bravery in confronting his fears. He shoots at night, channeling his fear of darkness into his art. This practice, which started as a coping mechanism, evolved into a passionate exploration of urban landscapes under the cloak of night, capturing the vibrancy and mystery of Berlin.

“COLORIDA” Online: A Multifaceted Experience

Interested viewers can delve into the full background story and explore the high-resolution motion trailer on Bardin’s website. The site also features a section dedicated to “Meet the Artist,” offering insights into Bardin’s multifaceted career and his journey in the digital and creative realms.

The Collector’s Privilege

Bardin adds an exclusive touch for collectors. Along with the digital artworks, collectors have the opportunity to claim signed prints and a limited book edition, contingent on the sale proceeds. These tangible elements bridge the gap between the digital and physical realms of art.

MEET THE ARTIST

TLDR

Rodrigo Bardin’s “COLORIDA” is a deeply personal art collection born from a traumatic experience, symbolizing the healing power of art. This collection, available exclusively on the Ethereum Blockchain, offers a unique blend of digital and physical art experiences, reflecting Bardin’s journey from darkness into a world of color and resilience.

The post COLORIDA: Rodrigo Bardin’s Artistic Journey from Darkness to Light appeared first on NFT CULTURE.

A Fusion of Sensuality, NFTs, and Rock & Roll

Unveiling the Sensational NFT Drop: “DARK THE BOOK”

Prepare to be enthralled as DarkMarkArt brings his newest project, “DARK THE BOOK” (Sex & NFTs & Rock & Roll), to Nifty Gateway Curated this December 1st. This project isn’t just an art collection; it’s a celebration of sensuality, digital innovation, and the rebellious spirit of rock and roll.

Spotlight on Bella Hadid: The Star of the Collection

In a striking revelation, DarkMarkArt has announced that the first shot of the collection will feature the globally renowned supermodel, Bella Hadid. This inclusion elevates the project, merging the allure of high fashion with the cutting-edge world of NFTs.

The Collection: A Blend of Exclusivity and Prestige

The collection is a tapestry of artistic mastery, featuring:

• 30 top models who embody the essence of modern fashion.
• 50 unique 1/1 shots available on a first-come, first-serve basis, priced at 0.33 ETH each.
• An exclusive 1/1 shot of Bella Hadid, set to be auctioned, capturing the essence of “JUST BELLA.”
• A limited series of 11 handmade, personalized books, each a testament to DarkMarkArt’s dedication to his craft.

The Ultimate Prize: Personalized Handcrafted Books

The true gem of this collection is the opportunity to own a personalized book. Whether you collect 5 pieces from the 50 unique shots or secure the exclusive “JUST BELLA” shot, you unlock the chance to possess a book that is more than just a collection of images. Each book is a bespoke piece of art, handcrafted and customized by DarkMarkArt, offering a unique interactive experience to its collector.

“DARK THE BOOK”: Redefining the NFT Experience

DarkMarkArt’s latest venture is not just a foray into digital art; it’s an immersive journey that intertwines the worlds of fashion, art, and blockchain. It’s an invitation to experience the convergence of physical and digital realms, where each piece holds a story waiting to be unveiled.

About Mark (DarkMarkART)

Mark, the Milanese portraitist and fashion photographer, is the mastermind behind the sensational NFT drop, “DARK THE BOOK.” His journey in the realm of professional photography spans over 15 years, establishing him as a luminary in the industry.

The Foundation: A Blend of Artistic Education and Global Inspiration

Originally hailing from Italy, Mark’s artistic odyssey began at the Brera Academy of Fine Arts in Milan, a testament to his commitment to the visual arts. His global travels have infused his work with a diverse array of cultural inspirations, enriching his artistic perspective.

Mark’s Signature Style: Capturing Emotions and Timeless Stories

Mark’s work is a reflection of his unique self-expression and creative flair. His photographic style is marked by an exceptional ability to capture raw emotions and ephemeral moments, creating a visual narrative that speaks volumes. His focus on resilient women – warriors and healers adorned with scars and tattoos – adds depth and character to his portraits, making them not just images but stories etched in time.

Collaborations and Accolades: A Journey Through Fashion and Art

Mark’s expertise, primarily in portraiture and fashion photography, has led to collaborations with some of the most iconic names in the industry. His portfolio boasts work with celebrated figures like Gigi and Bella Hadid, Willem Dafoe, and Vincent Cassel. He has also partnered with luxury brands such as Fendi, Moschino, Dolce & Gabbana, and Salvatore Ferragamo. His distinctive artistry has graced the pages of renowned publications including Vanity Fair, GQ, Vogue, Rolling Stone, and Citizen K.

I wanted to create something special, tangible, precious, the book is a precious object also for how it will be made, materials, passion and love.

TLDR: DarkMarkArt announces “DARK THE BOOK” (Sex & NFTs & Rock & Roll) on Nifty Gateway, featuring 30 top models including Bella Hadid. The collection includes 50 1/1 shots and a special auction for a unique Bella Hadid piece, with 11 handcrafted personalized books available for collectors. It’s a groundbreaking blend of art, fashion, and blockchain technology.

Gm guys

“DARK – THE BOOK” Is on its way!
My exclusive drop curated by NG

• December 1st
• 50 shots 1/1 at 0.33 eth each // reserve price
• Collaboration with 30 top models, Monster agency in Milan, and designer Philipp Plein
• 10 exclusive handmade books available… pic.twitter.com/MoOEK8F0uO

— DarkMarkArt.eth (@DarkMarkArt_) November 13, 2023

The post DarkMarkArt’s ‘DARK THE BOOK’: Coming to Nifty Gateway appeared first on NFT CULTURE.

Thank you for joining us today. Let’s begin by understanding how your background and previous experiences led you to the NFT domain. Can you share your narrative?

Definitely. My intrigue towards cryptocurrencies during 2020-2021 laid the foundation for my foray into the NFT sphere, which began with the 2021 crypto bull run on Rarible. Although I minted four distinct NFTs, my lack of connections in the space made selling them a challenge. The high costs led me to a hiatus, during which I delved into a Turkish NFT community. Their support and a chance to have my OpenSea registration fees covered reignited my creative spark. Despite financial constraints, I crafted my Imok collection, which marked a turning point in my NFT journey.

Interesting! What would you say was the spark that drew you towards NFTs and digital art?

The allure of etching a part of oneself in the immutable annals of blockchain, to be passed down to posterity, was incredibly captivating. It felt like becoming a fragment of history, a notion too enticing to resist.

How has venturing into NFTs impacted your artistic style or the exploration of themes in your work?

It’s been profound. Unlike the physical realm where commissions dictated my creations, the NFT space empowered me to express my style and build my brand. This freedom has been invaluable.

Engaging with the NFT community surely must have had its share of insights. Could you share some?

Absolutely. The camaraderie and the spirit of collective growth in the NFT community has been enlightening, especially coming from a background where individualism predominated. It’s a milieu where I could evolve artistically.

The blockchain is the bedrock of NFTs. What facets of blockchain technology intrigue you the most?

It’s the creation of an immutable reality! We’re at the rudimentary stages of this groundbreaking technology, akin to cavemen, with an exhilarating future ahead.

Among your works, do you have a favorite project or artwork? Could you share the story or inspiration behind it?

My cherished project is the Imok NFT collection, mirroring daily experiences and embodying the philosophy of Heraclitus’s ‘Fire Arches’ symbolizing change. Connecting with over 100 art aficionados through this collection has been gratifying.

Collaboration often breeds innovation. Have you collaborated with other NFT artists or blockchain projects?

Certainly. Collaborations are potent avenues for brand building and forging robust connections. It’s an exemplary marketing strategy, bolstering mutual growth.

The learning curve in the NFT space can be steep. What challenges did you encounter and how did you surmount them?

The realm wasn’t devoid of scams and deceptions, but my love for creation acted as a therapeutic anchor, helping me navigate through the rough waters.

As you look ahead, what are your aspirations in the NFT landscape and how do you envisage contributing to it?

It’s a canvas of endless possibilities. Meeting brilliant minds here fuels new ideas and paths. Like any artist, striving for a legacy and contributing to the NFT ecosystem is the dream.

 Lastly, any pearls of wisdom for budding artists eyeing the NFT space?

Embrace the freedom, keep honing your unique style, forge meaningful connections, and never halt the learning process. The journey is as remarkable as the destination.

You can learn more about ogunkizmaz here

https://ogun.tasseo.xyz/wearecrazy

TLDR: The interview unveils ogunkizmaz journey from cryptocurrency exploration to NFT creation, emphasizing the importance of community support, the allure of blockchain’s immutability, and the liberation the NFT space offers to artists. Through hurdles and collaborations, the narrative unfolds a path of continuous learning and the aspiration for a lasting legacy in the burgeoning NFT ecosystem.

The post Delving into the Digital: ogunkizmaz’s Journey from Cryptocurrency Curiosity to NFT Creation appeared first on NFT CULTURE.

In a quiet studio resonating with the soft clicks of a camera shutter, we met with Nicolas, a photographer whose journey has led him to the heart of the burgeoning NFT artistry. With a serene smile and eyes that tell tales of myriad captured moments, he walked us through his artistic evolution, his tryst with NFTs, and the boundless prospects of digital artistry.

Nicolas, thank you for joining us today. Let’s start by delving into your background. Can you share how your early exposure to photography and your years of apprenticeship with photography masters shaped your artistic journey and led you to the world of NFTs and digital art?

Nicolas: Certainly, it’s a pleasure to be here. My upbringing was steeped in photography, thanks to my mother’s passion for the art form. Growing up surrounded by the works of iconic photographers like HERB RITZ, PETER LINDBERGH, HELMUT NEWTON, and JEANLOU SIEFF had a profound impact on me. I left for Paris at a young age and learned the ropes as an assistant to greats like CLAUS WICKRATH, PETER LINDBERG, and JEAN DANIEL LORIEUX.

This apprenticeship provided a solid foundation for my career in photography, and I ventured into collaborations with major fashion brands. My work has always straddled the line between fashion and art. It wasn’t until I discovered digital art and NFTs through a friend three years ago that I realized the transformative potential of sharing my art with a global audience. The democratization of art through digital ownership fascinated me.

Your journey is truly remarkable. Can you elaborate on how you blend the concept of photography, which captures a moment in time, with NFTs, which immortalize digital moments? What intrigues you about this intersection of traditional and digital art forms?

Nicolas: Photography’s essence lies in capturing moments, freezing them in time. NFTs, on the other hand, take these digital moments and immortalize them through blockchain technology. This dynamic fusion is particularly intriguing because it adds a layer of permanence to something inherently fleeting. The notion of digital property contracts in the NFT space opens up exciting possibilities for artists like me to bridge the gap between the tangible and the digital, creating a new dimension for art to thrive.

Your art is known for themes of femininity, fashion, cinema, and glamour. Could you tell us more about the emotions and messages you aim to convey through your work in the NFT space?

Nicolas: Absolutely. My art is a celebration of joy and pleasure in a vibrant and colorful universe. I aim to evoke these emotions in viewers as they engage with my creations. Whether it’s through the lens of femininity, the allure of fashion, the magic of cinema, or the timeless glamour, I want people to experience a sense of delight and happiness when they interact with my art.

The NFT space has undeniably revolutionized the art world. What aspects of this transformation do you find most intriguing, and how do you see it shaping the future of art and creativity?

Nicolas: The NFT space is brimming with artistic innovation and energy. What captivates me the most is the sheer diversity of creative projects that are flourishing within it. While there are challenges, such as questions about conservation and image quality, the ability for anyone with internet access to instantly acquire art is nothing short of incredible.

This transformation extends beyond art; it’s a societal shift. The integration of blockchain and NFTs is becoming an art form in itself, and for photography, it opens doors to innovative mediums like Ionnyk, which can link NFTs to physical images. The potential for artists and creators is boundless.

Speaking of challenges, have there been any specific obstacles or limitations you’ve encountered within the NFT space, and how did you overcome them?

Nicolas: Certainly. One of the initial hurdles was defining the right balance between screen quality and physical copy quality for my photos. Achieving this equilibrium required extensive testing and experimentation. It’s a testament to the evolving nature of the NFT space, where artists and creators must adapt and find solutions to meet the demands of the digital art world.

How do you envision the future of NFTs and digital art, especially as they intersect with photography and other creative mediums?

Nicolas: The future is extraordinarily promising. NFTs and digital art are poised to impact society across various sectors. The interaction between artists, collectors, and audiences through blockchain functionalities will evolve into an art form itself. In the realm of photography, innovative mediums like Ionnyk, which allow for the movement of pigments on photo paper while linking to NFTs, present incredible possibilities. We’re witnessing a revolution that transcends the traditional boundaries of art and creativity.

Can you walk us through your creative process, from the initial idea to the final minting of an NFT?

Nicolas: My creative process is deeply rooted in artistry. I’m guided by instinct and vision, much like a film director. I constantly have a multitude of artistic ideas in mind, and I work diligently to bring them to fruition. Emotions play a significant role in shaping my work, and I strive to convey these emotions through my images and projects.

How do you select the photographs that become NFTs? Is there a specific criteria or emotional resonance you look for when making this decision?

Nicolas: The photographs that ultimately become NFTs are those that possess a unique blend of artistry and iconic value. They must align with the overarching goal of spreading joy and delight through my art. Each selected image contributes to the larger narrative of my creative journey.

On a personal note, what is the most rewarding aspect for you when creating and selling NFT art?

Nicolas: The most rewarding aspect is the opportunity to introduce my art to a new audience that extends beyond the traditional art market. The prospect of reaching individuals who may not have had access to my work otherwise is immensely gratifying. It’s about expanding the boundaries of creativity and sharing the joy that art brings.

The NFT community has been growing rapidly. Can you share a memorable interaction or experience you’ve had within this space?

Nicolas: Over the past three years, I’ve had the privilege of meeting numerous remarkable individuals within the NFT community. From collectors and builders to friends, they’ve all played a vital role in my journey. Some notable names include @Giga_Chad_Pepe, @LordTruffington, @sendr0ck, and many others. What’s truly incredible is the sense of camaraderie and mutual support that pervades this community. We’re all pushing each other to new heights, and it’s a dynamic and inspiring environment to be a part of.

In conclusion, how would you summarize your thoughts on the current state of the art world, driven by technology, blockchain, and NFTs?

Nicolas: We are living through a revolution as powerful as the advent of the internet, with AI, blockchain, and digital photography transforming the landscape of creativity. As an artist, I’m excited and grateful to be part of this journey, exploring new frontiers of artistic possibility.

Gm, let's find your mermaid pic.twitter.com/ufPY5AUQpy

— Nicolas Bets (@nicolas_bets) October 21, 2023

TLDR: Nicolas, a photographer and digital artist, discusses his journey from traditional photography to the world of NFTs. He blends the concepts of capturing moments in time with immortalizing them through NFTs, aiming to convey joy and pleasure in his art. Nicolas sees the NFT space as an exciting artistic frontier with potential for societal impact. Challenges like photo definition have been overcome, and innovative mediums like Ionnyk hold promise. His creative process is instinct-driven, focusing on conveying emotions. The most rewarding aspect is reaching a new audience, and memorable interactions have fueled his journey. Nicolas is excited to explore the creative possibilities of AI, blockchain, and digital photography.

The post Exploring the Intersection of Art, Photography, and NFTs: An Interview with Nicolas Bets appeared first on NFT CULTURE.

NFTCulture Presents miirror

miirror Collage Artist

As the wave of digital art takes the world by storm, few stand out in the nuanced realm of digital collage as profoundly as our featured artist. Starting off with humble Photoshop experiments during his teenage years, he quickly propelled himself into the NFT limelight with an unexpected yet celebrated feature in Playboy x Sevens Foundation’s “The Art of Gender and Sexuality” NFT collection. While many recall his standout work from this collection, there’s much more to his journey than meets the eye. As a master of juxtaposing elements to evoke deep meanings and sentiments, he crafts thought-provoking compositions that challenge and enthrall. In this exclusive interview, we uncover the roots of his passion, the pivotal pieces that marked his growth, and how the NFT space has shaped his artistic endeavors.

Can you walk us through your journey into becoming a digital collage artist? What inspired you to choose this medium over others? 

My digital collage artist journey started as a hobby during my teenage years when I was using Photoshop to just assemble random images together, then turned into something more in 2021 when I submitted one of my works to an open call by Playboy x Sevens Foundation. My piece was later selected to be part of “The Art of Gender and Sexuality” NFT collection and exhibition. I started off with a bang, maybe that was too much to handle at that time, but now I’m so proud of that.
Why this medium? This came naturally to me: as a videographer, sometimes I gotta work with green screens. Those made me aware of the matte painting technique, then everything flowed into collage art. I experimented a lot before finding the road I’m currently driving on, though.

What was the very first collage you ever created, and how does it compare to your recent works? 

My first attempt in creating a collage happened in 2019 when I did a photo manipulation of a shot I took when I was on holiday in Gran Canaria. I was spending the day in Palmitos Park and I saw a falconer working. Before taking the shot, I thought about adding a dramatic look at it with Photoshop. When I was on it, I challenged myself in creating a more difficult scene. This was the result. That was the first time I seriously used masks and brushes to create fogs and to create a look and that was the first time I assembled stuff together to create a composition so yeah I think that was definitely my first collage.
That was a modest experiment with Photoshop using my own shot. It pales in comparison to my recent works, which have evolved significantly in complexity, use of textures and tools, even emotions I guess. In the last few years I’ve honed my collage skills, delving deeper into the juxtaposition and combination of elements to create new meanings and thought-provoking compositions.

Many artists have pivotal pieces in their portfolios that marked a turning point in their careers or personal growth. Do you have such a piece? If so, could you tell us about it?

I believe I have at least three pivotal pieces in my portfolio.

The first one is the digital collage I made for “The Art of Gender and Sexuality”. It marked the beginning of my journey in the web3 space as a creator – before that, I was just a watcher. Plus, it influenced the topics in my work: freedom of expression, sexuality, sensuality of the body.

The second one is not a single piece but a whole project: the 1mouth collection, made of 50 digital collages. It defined my signature style. A lot of people noticed I was creating a series of similar work and, while the full collection may look simpler than my other works, it’s definitely something that you can recognize as a full collection. 

The third pivotal piece that marked a turning point is my SuperRare genesis: “Last call” led me to a whole different kind of collage. While everybody always tries to add their story into the pieces, in this collection I’m trying to let people find or create their own story based on the elements and inputs they see. It’s like a role game: you have the elements in the artwork, your background, and you create your own story based on the world that is around you.

Who are your top three favorite NFT artists currently, and how have they influenced your own style or approach? 

Long story short: Slimesunday, Beeple, DeeKay.
The only one who has influenced my style a lot is Slimesunday, I was in his discord and joined a lot of his weekly challenges – I won, also! This helped me crafting my style and improving my Photoshop skills. Plus, his art is super hot and inspiring, he’s a master with textures, sometimes I tried to emulate how the texture was, in a specific work.
Beeple and DeeKay didn’t influence my style but I could stare at their art for hours.

How has the rise of NFTs changed the way you view, produce, or distribute your art? 

The web3 has amplified the way people conceive art, you can now connect with people all around the world and the way you create or distribute your art is limitless: there’s a whole different audience, opportunities are around the corner but you must be inside the community to better led people to your art so you’re either artist and marketer even if this is not really what an artist should be.
Before I discovered web3, I was just sharing stuff on social media. The NFT technology allowed me to connect directly with a global audience, bypassing the traditional gatekeepers but especially gave me the opportunity to believe more in myself and in my work, while giving me unprecedented control over it – with compensation and ownership.

We’re facing the possible future of art and the only way to make it happen is to actively be part of it.

Describe your creative process. Do you start with an idea, a specific image, or let spontaneous inspiration guide you? 

My creative process usually starts with a brainstorm on the idea of the collection or project I want to create for, while I’m scrolling my archive. Thus I just follow the inspiration that comes while I’m working on the piece, I go with the flow, let my mind speak to me and create. 

Technically speaking, I look for a couple of images, a background and two images that may cross each other; I put them together, trying different angles quickly so I see if the full works in a macro view. If it works, I know I can keep on creating it till I reach the micro view: the details, the edges and the depth. At this point, I work with real paper scans, dynamic brushes, textures and effects. All my work is digitally made, I have never made an analog collage – yet.

Digital tools and software are ever-evolving. Are there any specific tools or techniques you’re currently experimenting with or looking forward to using in the future? 

Not gonna lie, I think I will go the opposite way. But not only this, let me explain: I’m a digital native, I started with digital and one of my goals is to create an analog collection.
By the way, I dig the 3D medium even if I don’t see myself trying to embed 3D in my work – I made a collaboration with a 3D artist and it came out really cool though.
I’m already experimenting with generative fill but not to avoid creating stuff and assembling them, instead to have the opportunity to work with the same element in different angles.

Moreover, I’ve been always exploring textures and techniques on Photoshop and I follow up with all the updates and I’m constantly up to experiment with new tools.

Given the multidimensional nature of collages, how do you decide on the themes or subjects of your pieces? Are they often personal or influenced by external events and trends? 

My link with Playboy at the beginning of my journey influenced me a lot, it’s like my work is a consequence of being part of “The Art of Gender and Sexuality” collection, I feel these themes are somehow part of me in my research for the beauty in everything and the freedom of the self. It’s like the world called me and told me “hey this is the signal you were waiting for”. Then I extended the whole concept to storytelling, to body elements, to sensuality, to provocative works but I still think the beginning influenced the whole journey – in a positive way: I found my niche. Sometimes I also create something that is personal or comes from external inputs, but that’s because I like creating and in that moment I feel that is the inspiration I need.

Can you give us a hint about what’s coming next from you? Any future projects or collaborations you’re particularly excited about? 

I’ve always been focused on the long-term. With this said, I already created the smart contracts of some of my future projects in December, last year. I know where I’m heading to, I’m really focused on my artistic journey. The only reason why my projects are slowly being released is that living through my art is not sustainable at the moment – that’s another goal.
While some of my next works are already in what the web3 likes to call a “roadmap”, I’m always open to collaboration and I’m open to myself too: if I come up with a new project, I always try to develop it. Plus I’ve already planned some collaborations.
Recently I made a puzzle piece for the Playboy community and the single puzzle pieces were randomly airdropped to Rabbitars holders. I’m super excited about it, the redemption of the full piece is coming in the next few months. Honestly, I hope this is just the beginning.
Another project worth a mention is my 1mouth collection. For those who follow me: you might say “it’s already released, why are you mentioning it?”. I plan to mirror the 1mouth collection, but analog. This will be intriguing for me – and for you. The 1mouth collection is something I’m really proud of and I’d like to reward the supporters and make them vibe with the projects. We’re all driving on a hot road!

Finally, what advice would you give to budding collage artists looking to break into the NFT space?

My advice to budding collage artists is to create your signature style work and stay away from the disappointment due to lack of sales. The market is slow, set your goals and work on your art. People don’t always take the time to dig into your work closely, but when they do they’d appreciate all the effort you put into it. Collage is quite an underrated medium but eventually it’ll get the attention it deserves because it is something that keeps that real touch while blurring the edges between analog and digital. Connect with others and catch all the opportunities around you, especially if they’re related to this medium. Also, don’t forget to have fun.

The post Artist Interview: miirror the Digital Collage Artist Taking Web3 By Storm appeared first on NFT CULTURE.

We had the privilege of sitting down with the remarkable NFT artist, EL ROKK, to delve into his artistic journey and his insights into the world of digital art and NFTs. Check out his latest Drop Medusa on SuperRare.

Tell us about your artistic journey and how you got started in the world of digital art and NFTs.

After obtaining my degree in Graphic and Art from RMIT Melbourne, I spent over a decade freelancing. In 2020, I ventured into the NFT world after conversations with my friend Vangeli, who was passionate about NFTs. Intrigued, I applied to join SUPERRARE, and in December 2020, I received the exciting news that I was accepted, becoming the first Malaysian artist on the platform. Designing and illustrating have been constants in my life, from my childhood days with paper and pencil to the digital realm. Now, 13 years later, I continue to create and draw full-time.

As a digital artist, what inspired you to explore the realm of NFTs? How do you see NFTs shaping the future of art?

The love that collectors showed for art in the NFT space was my main inspiration. Artists desire recognition and appreciation for their work, and witnessing this motivated me to join. With over a decade of illustrating experience, I felt equipped to contribute. NFTs undeniably represent the future. The growing influx of artists and collectors, coupled with the daily surge in new artworks, indicates that NFTs are poised to become the largest domain for creators.

Your diverse background includes ad design, gaming titles, indie comics, and brand apparel. How have these experiences influenced your artistic style and approach to creating NFTs?

Each job I’ve undertaken has enriched my skills and knowledge. From 2D illustration to photorealism, each project has taught me something new. I’ve embraced various styles and techniques and brought them into my NFT creations. Tattoos have always been my signature style element, an attribute carried forward from my extensive experience. Tattoo-inspired designs are embedded in my art, adding uniqueness to my creations.

Who are some of your favorite artists, both traditional and digital, who have influenced your work? How have they inspired you?

Artists like Roxie and Anthony from Grand Theft Auto V have been major inspirations. Their style, characterized by black outlines, coloring, and shading, has left a lasting impact on me. Comic books have also played a pivotal role in shaping my artistry. Frank Miller, the creator of “The Dark Knight Returns,” stands out with his unique art style. Drawing from these influences, I’ve incorporated tattoo designs into my work, adding a personal touch.

What specific themes or emotions do you aim to capture in your artwork, and how do you achieve that through your creative process?

My aim is to create art that challenges norms, breaks stereotypes, and evokes emotion. My childhood experiences with tattoos, where they were often associated with negativity, inspired me to use famous cartoon characters as vehicles to challenge those perceptions. By giving them tattoo designs, I aimed to convey that all art is beautiful and should not be judged based on appearances.

With a significant Instagram following, how has social media aided in promoting your art and connecting with your audience? How do you engage with your followers?

Before NFTs, most of my clients were sourced from Instagram and Facebook. I’ve been posting daily to showcase my art and talent. Engaging with my followers is vital, as I explain the stories behind my pieces and foster interaction. I also collaborate with fellow artists, creating a vibrant artistic community.

Could you share any notable experiences from your artistic career, especially within the realm of NFTs?

A standout moment was in December 2020, when I applied to SUPERRARE. The following January, I was accepted, and my friend Vangeli and I released a 5-series of NFTs. The collection sold out immediately, marking my impactful entry into the NFT space.

What challenges have you faced as an artist in the digital age, and how have you overcome them? How has the NFT space presented unique opportunities and challenges for you?

A challenge in the digital age is art theft, where people erase signatures and sell art as their own. NFTs address this issue; once purchased, the NFT owner gains full ownership rights. The NFT space offers opportunities to create, share, and sell art while building a community of collectors who value artists’ work and contributions.

Could you walk us through your creative process, from ideation to the final NFT artwork?

I start with sketching, followed by outlining, refining, coloring, and detailing. I draw inspiration from comics, books, and movies, spending days absorbing ideas. Once in my office, I blend various elements to create something new and exciting.

Looking ahead, what are your future plans and goals as an artist in the NFT space? Any exciting projects or collaborations?

My focus is on 1/1 pieces, continuing to offer value to collectors. I strive to maintain quality and support the NFT space, aiding fellow artists. The NFT community’s enthusiasm and appreciation motivate me to keep pushing artistic boundaries.

(Note: The interview has been cleaned up for clarity and coherence, as requested.)

The post Interview with EL ROKK: Exploring the Intersection of Digital Art and NFTs appeared first on NFT CULTURE.

Sares, thank you so much for taking the time to speak with us! Why don’t we start with where you are from.

I was born in Argentina and that is where I live. But I believe that we are more than where we live, because the experiences that form and feed us are outside of our comfort zone. Taking this into account, it was that at the age of 21 I decided to give my life a radical change and venture to break with the borders. That is why I moved to Colombia and I was there for 2 and a half years.

Although I always had an inclination for art, I think that’s where my career changed completely. At first everything was shining, but over time the situation got a little more intense. Due to the need to move on, I gave up my career as a photographer, a difficult but necessary decision to continue, since I had to sell my camera in order to pay the rent. They say that the most complex moments are where the best ideas come from, and that’s how it was. Because after going through several jobs as an assistant, sales manager for an image bank, photography teacher and assistant on a farm; I started, thanks to a friend, to learn about Art Direction. After a while I returned to Argentina, but I must say that I had two unforgettable things: a career that allowed me to grow and a friend whom I still consider today the older brother I never had.

At the beginning it was strange to be back in my country, but thanks to the effort, perseverance and hard work, I got my first job as a creative and art director in an advertising agency. I must say that it was quite a personal achievement since all my education was self-taught.

Today I still live in Argentina, but my sights are set on breaking the borders again thanks to art.

Can you tell us about your background and what lead you down the path to becoming an artist and ultimately experimenting with NFTs?

Following the line of those that I told you before, my life is divided into two great moments: Before and after my departure from Argentina.

If we talk about before, I must say that since I was a child I have had an inclination and appreciation for art, something that I am really grateful to my family since they encouraged me to look beyond what is seen, and thus also to defend my ideas and values. Without going too far, there is a story that my relatives always tell that since I was a year and a half old I sat looking at a book that was in my grandmother’s house where there were some reproductions of works by Rembrandt. Also that my aunt taught me the colors with pencils. This is how the need to create and express myself was born in me, thanks also to my parents who supported all my artistic hobbies: drawing, painting, miniature painting, etc.

Already as a teenager, around the age of 15, I began to take this more seriously. I spent hours drawing, because at that age I grabbed my first spray can and went out into the streets. Although graffiti is something that I find fantastic, it had much more connection with the portraits using the aerosol as a technique. That’s where I found a passion and a direct link to art, making me choose to major in Art within my school studies.

Having spent a few years and after leaving the fashion designer career (I love fashion as a method of communication) was that I began to approach photography. My grandfather gave me my first camera for my 18th birthday, an analog Konica. And with it I began to try self-taught. I liked it so much that I decided to study fashion photography, it combined the two things that I was passionate about and it was something that focused on the human portrait, something that, as I said before, always captured my attention, because I think that people speak without words when they are in front of to a lens.

With publications in Argentina, coverage of Buenos Aires Fashion Week for two consecutive years and editorials in Colombia prior to my trip, it was that I decided to leave.

After my return, and after working with my dad in his construction materials business, I worked and currently work as an art director, at first in advertising agencies, until life put me on the path of the entrepreneur after that I was fired from an agency, causing me to set up my own creative studio: BORK Studio.

I think that there was always a transversal line during more than 10 years of career in the world of advertising: the link between creativity and technology. Something that I always tried to include in my work for clients like L’oreal, Adidas Originals LATAM, Renault, Supervielle, Unilever. That combination is something fantastic and I was able to fully apply it when, thanks to BORK, I got to know and entered the 3D world. It was always my biggest fear, but they say that things happen when we break barriers.

I remember that thanks to a colleague, who one day spoke to me and my wife, Barbi Ares (@barbiares) about NFTs back in 2020, it completely captured my attention and I began to investigate to understand how to enter, there was not much information at that time and Twitter was not very good for me, but I decided to accept the challenge and join. Meanwhile, and taking advantage of the pandemic lockdown, I sat in the chair to learn everything I could in record time. Once again I had chosen the hard path: Learn Houdini and enter a world I was completely unfamiliar with.

At that time we worked together with Barbi under the name of SNTG, until a friend told me: build a strong branding. And by combining Barb’s last name and my first initial, SARES was born. Nowadays everyone manages their own account with their personal style, I run SARES and Barbi under her own name, but we continue to work side by side (Literally, we share the desk in our house hahaha)

” Once again I had chosen the hard path:

 Learn Houdini and enter a world I was

completely unfamiliar with.”

When did you mint your first NFT? What platform did you choose and why? 

On August 22, 2021 to be exact, I still remember the nerves of that first mint.

My genesis was in KnownOrigin, I had been researching other marketplaces but they didn’t quite convince me: Foundation was by invitation, SuperRare was with an application and it felt unattainable, OpenSea didn’t quite convince me for 1/1 art.

The day my friend told me about NFTs, he told me that he was in KO and had very good user support and artist support on social media. It sounded really great for someone just starting out. So I decided to take a risk and send the portfolio I had, days later they contacted me to tell me that I had been selected.

Who is your favorite artist(s) (Non NFT)? What about their style resonates with you? 

If we are talking about an artist who absolutely resonates with everything I do, I must say that Caravaggio is my favorite. The strength of each piece seems fascinating to me, that environment focused on drama and tension; accompanied by the lighting technique and the general concept, they make a mix of elements that generate an atmosphere charged with visual and conceptual intensity. These features, in my opinion, are incredible. Since it loads the canvas with a message that takes the viewer out of their comfort zone, generating that necessary discomfort to reflect, while making them a witness to what happens on the scene.

From a photographic point of view, Tim Walker is an artist who has captivated me since my beginnings as a photographer. His dreamlike scenes and concepts, and how he integrates different aesthetics and attitudes is truly inspiring. I think his pieces speak of the past and future in the present.

And Ale Vidal, an artist that I discovered relatively recently and it was a connection at first sight. Her way of working movement, light and atmosphere in each piece has a mix between delicacy and a strong spirit where aesthetics shines in truly exquisite compositions.

And I must also mention Alyssa Thorne and Tanya Gomelskaya, they seem to me to be two artists who take a mix of classic styles to another dimension. Literally speaking, their style and how they carry it out seems to me to be something truly inspiring, really strong, impressive and innovative works in my opinion.

Who is your favourite NFT artist? What makes this artist unique? 

Here I could mention many artists to be honest, although I don’t believe in the distinction between artists and NFT artists, everything is digital art. But focusing on the community, there is an incredible amount of talent, which is why naming just one would be impossible. To name a few, I could tell you:

Billelis

Min Shi

Daria Antypenko

Vittorio Bonapace

Foleee

Beryl Bilici

Barbi Ares

JJ Ribi

Ergin Ishakoglu

Each one of them has a defined and consistent style, be it with the technique, with the composition or with the conceptualization. But what, in my opinion, makes them truly unique is that their works generate the need to see and analyze them in depth, a quantity of details that arouse a thousand emotions when one is immersed in the pieces.

What made you pursue NFT art?

For a few years there has been a need within me to express what I think and feel, although I always put things into words, and sometimes in a somewhat crude way haha, I began to feel that I wanted to break the routine of creating for others and start creating for me. And in this way to be able to give a place to the externalization of those feelings, emotions or situations that at some point in life made a change in me, making me who I am today.

Although I love being part of the world of advertising, for some years now it began to happen to me that I needed to change my perspective and my actions because, day by day, I was mutating to a side where I was not interested in being. And at the moment I decided to become independent as a professional, the need to create without depending on other people’s observations or confusing feedback also arose. A rather big break since I began a new personal search: the construction of a path as an artist. And I say path because I believe that this is not something that has an end, as one develops it mutates, and that is how it becomes something constant; but unlike advertising, this path leads to the construction of a balance between the self and the other, due to the link we generate with our values ​​and ideals.

This duality in constant movement is what leads me to work in 3 times, that is, learning from the past while thinking about the future, but always capturing the present. That fair point of the chaos of the passage of time.

In short, the need to find freedom and a space where I can express the essence of what I believe.

What is the one piece of NFT art you wish you had purchased but missed out on? 

I remember that when Transcendance, by Billelis, came out, I fell completely in love with this piece, it was clearly out of my financial reach, but if I could buy it, I would not have hesitated for a moment.

Transcendance by Billelis: https://superrare.com/0x71017b774639e586628e436fc1091155586c2cbf/transcendence-1

If you could travel anywhere in the world where would you go? Why this location?

 There are 3 places that I have yet to visit: Armenia and Lebanon. Although I could say Italy is one of my fav European countries, it has a strong culture that marks the aesthetics of what I do. I feel that the link is more tied to identity than the search for roots. And in my case, the countries that I mentioned above define part of my identity, since my family has descendants from both places. A few years ago I began to investigate and learn more about where everything that has been building me since childhood comes from, especially after the loss of my great-grandfather at the age of 18, who left me teachings that really marked me as a person. Both countries have a truly incredible culture and the development of a particular aesthetic; And that is precisely where I am currently searching: finding a point where the aesthetic development that has guided my work since I began and the aesthetics that define my identity as a person come together.

What are your other passions besides art? Why? 

Apart from art, I think there are two great concepts that are my other passions. On the one hand, there is knowledge: I really love constantly learning, it is something I dedicate at least an hour a day to because I think it is the best exercise to keep my mind active and fresh, a key characteristic when creating what be. And on the other hand, I could say that fashion is something that has captivated me for several years, I think it is a great social and artistic expression. And beyond the fact that I materialize it by collecting sneakers, it is real that it captures in garments each cultural moment of society.

Do you make other forms of art? 

Yes, in fact it is what I use as a tool when I have blockages or feel overwhelmed in the head. Writing and putting thoughts into words is something that I find fantastic. The ability to express ourselves and communicate with words is one of the characteristics that defines us as a species. And as an exercise it is really interesting because it helps us develop conceptualization and narrative.

In fact, my inspiration in general terms comes mostly from Rio de la Plata Literature and the lyrics of the rhymes that Spanish hip hop has. It seems exquisite to me, the concise and precise construction that both things have to make daily descriptions in a really beautiful and synthetic way, is something that awakens the imagination in a very particular way.

How did you come up with your specific style? 

I honestly believe that it was a progressive construction that was put together over the years.

As a first general approach, since I was a child that I have been very aware of classical art, as I told you before there was always an art book at the home of a relative. At the same time, I always had a very close link with classical architecture thanks to the fact that my godfather, a very influential person in my life, studied architecture when I was little, so I remember being very connected from that side as well. I remember that he had a painting that was an architectural sketch of Versailles, I always kept looking at it when I passed by.

On the other hand, time is present in my work, this is because over the years I developed a certain appreciation for nostalgia, which in fact is one of the main triggers of the concepts I work on. A connection with those places detained in times of forgotten glory that reflect the passage of time in the crudest possible way, destruction as creation. Above all, because since I was a child I have been curious about how time is freely represented independently. I usually analyze it by looking at the behavior of humidity on objects or the deterioration of fruit, for example.

This developed over time. As the years passed and some of the most important people in my life left, the appreciation for what it was, grew. And that’s when I began to embrace my roots even more, as a way of clinging to the construction of a real identity and keeping the memory alive in one way or another.

Another constructive element of my style is nature, this is where life and beauty come into play in their maximum splendor; I generally make use of flowers that I remember from my childhood, those that were in the garden of my house or that were the favorites of a loved one. The rebirth after chaos, that moment where we begin to rebuild ourselves. This is due to the willpower put in more than once throughout my life to get ahead after complex situations that changed my life in a decisive way. To give you a specific example, the day I ended my relationship with the last agency I worked for, I didn’t see what happened next; 9 months without a job was not an easy situation, especially having to pay rent. But from that moment of bankruptcy where there was not enough money, the independence that I currently have arose, because that was when I was encouraged to jump and undertake. Getting ahead is always a complex task, but when you realize that you are not alone and that you can do it, the situation changes completely.

And finally there is chaos. The present at its best, that moment where destruction is expressed, the disorder of everything that happens in an instant but we do not get to contemplate. I have always been curious about entropy, seeing change and the process that leads to change from state to order to disorder. I owe this to my country, my character and how it was formed throughout my life: I must say that I grew up among people of strong character, firm convictions and an enormous appreciation for values ​​and ideals; This sometimes led to moments of tension, for example, which I understood more as an adult as moments of explosion. People sometimes need to release those thoughts that are usually destructive. The country where I come from is also added here, because as we all know, Argentina is characterized by being constantly unstable, always changing and this leads to life sometimes becoming a stress trigger that leads us to need to express ourselves. This is where the expression of the harshness of the reality that everyday life here comes into play.

How has your style evolved over the years? 

I would tell you that it unfolded as my life developed, as I grew up. For this reason, I believe that it is a constant evolution that will last as long as I last. It is completely based on personal experiences that make use of a combination of classic styles, to give rise to the representation of an instant triggered by the past but that impacts the future carrying a message that adds to whoever witnesses the piece. And I say witness, since I seek to bring an experience that envelops the viewer, a journey towards those deep thoughts that we usually have but do not share, instead of giving them an image to contemplate.

In my beginnings as a photographer I had an essence similar to the current one but I oriented it towards a neat side, towards full splendor, combining it with contemporary themes that were a trend at that time.

After a few years, and executing other types of graphic design and illustration techniques, I began to execute the destruction under a more rustic application, but it was carried out with contemporary aesthetics: new wave, grotezk, etc. Much more contemporary to tell the truth.

And at one point, when one Sunday morning in 2020, I set out to do an introspection job and create a personal branding without looking at any type of reference that comes from the graphic design side. That’s when I found this style that I’ve been working on for 3 years, which organically expresses identity. Although it will continue to mutate for the first time, I feel that in each piece I make, I can express my deepest and most sincere part, my true self. And in this way generate a real interaction with the witness spectator, in order to create a sincere bond.

What is coming for you and your work in the near future? 

For now, there will be a series of drops shared with other artists for the launch of a new selling methodology on one of the marketplace I’m in.

And the launch of two series that I’m working on, which will come out on the dates that I usually mint year after year: one for September and another for the end of the year in December. I don’t usually take many pieces for different reasons, one of them is the production time that 3D has.

And finally, we are in communication with a space brand to be able to do a collaboration between one of its products and its intervention with my style.

If you could collaborate with one artist who would it be? 

It’s a bit difficult for me to just name one, I think I would love to collaborate with Vittorio Bonapace. The way in which he works the compositions, the scenes and the atmosphere that he generates in his pieces seems truly incredible to me.

But here I could not ignore the desire to collaborate with Min Shi or Billelis.

Do you have any upcoming drops? 

Yes, at this precise moment I am working on the post-production of a new series that I plan to launch during August / September, based on the concept of: Tombs of Glory. A series of pieces that talk about how oblivion makes those constructions that were formed generation after generation disappear, and the importance of keeping those memories alive so that we are not the ones who fall there tomorrow.

And I am already working on the conceptualization of a series of pieces that will close 2023 and open 2024. It has not yet been defined because I am debating between two ideas, but I am sure of one thing, I want it to be something big.

Where can collectors find your work? 

Link to Website:

https://sares.eth.co/

Social links: 

https://twitter.com/sares_at

https://instagram.com/sares_at

https://thehug.xyz/artists/sares

https://rc.xyz/sares

NFT marketplace links: 

https://superrare.com/sares_at

https://makersplace.com/sares/gallery/created

https://foundation.app/@sares

https://knownorigin.io/sares 

Biggest piece sold?

My biggest sale was AMARE, my debut piece within SuperRare.

I remember the excitement when Eth.co started the auction on that piece, I really couldn’t believe it.

https://superrare.com/0xa9cf3fb2c4538ac95e0c822758ec745fcfed8360/amare-188

 What was your greatest failure and what did you learn from that? 

Since I started, I think I made a thousand mistakes, in fact that is how you learn in my opinion. From hitting our heads against the wall, the best lessons come out.

When I minted my genesis, I had no knowledge of how the pieces were priced. I remember that the gas was 100 usd at that time, I had put the piece in editions. Ten to be precise, at 0.1ETH. Crazy. Until chatting with a friend who was already in space for a long time, he explained to me how I could quote.

On the other hand, I spent shilling the piece instead of creating a place within the community. I remember my feed had completely mutated into tweets that were just Engagement Farming. Until one day a colleague explained to me how to move little by little to start connecting with the community.

I also think I made a mistake that I haven’t been able to fix yet, but it’s something I’m working on. I mean the way and the attention that I give to my social networks, I think they need a little more presence and content to be able to reach more people.

But if we talk about the biggest mistake, I would have to tell you this: when we started with Barbi Ares, we both shared the same wallet. She created a profile in Foundation to be able to develop her own style and I continued in KO; then I put together another wallet since I needed to put together a profile on Foundation as well. But, it turns out that my first sales and collectors look at his Foundation profile. Rookie mistake, very rookie, but that’s how I learned how things work when organizing our channels as artists.

Anything else you’d like to share?

During the last few years, things have happened in my life that I imagined would be possible, and all thanks to having made the decision to change my life and start this path. Exhibiting in NY, Canada, China, Los Angeles and Italy was a great achievement indeed.

There is one more thing that I would love to share, and that is gratitude. Because nothing that has happened in recent years would have been possible without some people who gave me their unconditional support and left me great lessons. For example, if my mom and dad hadn’t taught me the true value of standing up for our ideas and that hard work is what gets results, nothing would be the way it is in my life in general.

All of this is possible thanks to the constant support of my family, to my parents, to my sister, to my wife Barbi Ares, JJRibi, Hernán Ortiz, KRIEZ, Foleee, DDO, The Crypt Gallery and their entire team. And, above all, thanks to each of the collectors who believe in my work.

The post Artist Feature | SARES appeared first on NFT CULTURE.

Can you tell us about your journey as an artist, from your early experiences in the publishing and film industries to your current exploration of NFTs and web3?

I had always wanted to be an illustrator, for as long as I can remember. But it wasn’t until 2008 (in my late 20s) that I quit a media career in London to move back home to Ireland and try to make the dream a reality. 

My work in publishing and film came later, as for the first few years you will do any job that pays you to draw! But books & films are among my primary passions and so a combination of gearing my work towards those industries (I’ve always enjoyed typography as well as art, and so naturally fell into poster & cover design) & plenty of luck & perseverance eventually lead to them becoming my main source of commissions. 

Alongside the dream of making art for a living was always a love of storytelling & writing. In 2015 that bucket list item was ticked with the publication of my debut novel (A Cage of Roots) which was followed up by two more to complete the trilogy (2016’s Storm Weaver & 2017’s The Spiral Path).  

In 2017 A Cage of Roots won a children’s book award here in Ireland & I knew I wanted to tell more stories. But I didn’t want to limit it to novels. I wanted to try and break new ground for myself, using all of the media I could learn & combining all my passions (not just art & writing, but music, animation etc). I had no idea how I could deliver a project like this until I learned about web3 and digital ownership. I found the perfect home for it.

The result is theendlingsaga.io .

How did you first discover NFTs, and what drew you to the world of blockchain technology and digital art?

I’ve always been into digital art and multimedia creation. I love to draw, but just as much I love to experiment with 3D, animation – anything I can possibly learn. I’m slow but I enjoy it!

I have a brother who works in the tech industry. One day we were having a few beers and he suggested I use blockchain tech to authenticate & create provenance for my digital art. I thought it was interesting, but I couldn’t get my head around it so forgot about it. 

That was around 2017. So I could have been very early had I listened to him…

Eventually in 2020 a couple of artist friends (James White aka Signalnoise & Gavin Strange aka Jamfactory) got involved and when I saw their tweets about ‘crypto art’ (no one really called them NFTs then) I DM’d to ask what it was all about. James told me I should get involved, put me in touch with David at KnownOrigin and on October 8 2020 I minted my genesis. I haven’t looked back since…

Your body of work spans various mediums, including illustration, writing, and animation. How do these different forms of expression influence and inspire each other in your creative process?

Yes as mentioned I love to create in anything I can get my hands on. I’m just as happy noodling on the guitar as I am splashing ink and water on a page or messing around in Blender. Some of it comes more naturally to me, like drawing and writing, while some of it is a battle. But I love it all… 

How they influence & inspire each other is a really interesting question. I think for me it all comes down to storytelling. So I use the medium that best informs whatever story I’m trying to tell, if that makes sense. 

Nostalgia plays a huge part in my work too. My main project (The Endling Saga) is very much a love letter to all of the things that have inspired me as a creative person, not just visually but philosophically, personally.. everything. This is the result of 4 decades of life-input getting churned up in my brain and coming back out through what I believe is the one unique thing I have – my filter. 

So I try to reconstitute these loves and inspirations and life-experiences, putting them back out into the world in any way that feels right. I create illustrations and music and animation so the output takes all of these forms. 

Could you share with us some of your favourite projects or collaborations you’ve had the opportunity to work on with renowned clients such as Disney, Lucasfilm, Warner Bros, and Universal?

Yes I’ve been very lucky to work with clients like that. I’ve done a couple of jobs for Lucasfilm publishing and seeing the Star Wars logo on something you’ve drawn is very special. I recently made it into a Star Wars ‘Art of’ book so that’s another bucket list item ticked. 

My work for Disney was also for their publishing wing, while for Warner Bros I did the merchandising art for 2017’s remake of ‘It’ (although I have to admit I don’t like the art I made!) and some poster work.

I’ve had some crazy experiences, like finding out Steven Spielberg & Robert Zemeckis approved (& loved) my poster for ‘Back to the Future’ (made for the 40th anniversary), meeting Brad Bird (he insisted I get in a tiny lift with him and his entourage.. my butt kept hitting the emergency button.. thankfully he didn’t mind too much) and seeing people like Kyle MacLachlan, Guillermo Del Toro & Rebecca Ferguson share my work. 

The work I’m probably best known for now though is on the Deluxe Editions of Frank Herbert’s Dune series (Penguin / Ace Roc Books). I also do the covers for the new books by Brian Herbert & Kevin Anderson so Dune has become a huge part of my career (another lifelong dream fulfilled). 

What motivated you to shift your focus toward world-building and storytelling through NFTs? How does this new medium allow you to explore and expand upon your creative vision?

Well as mentioned, I had this urge to find a new way of telling a story long before I got into NFTs. 

The idea was inspired by ‘Sandbox IPs’ – like Star Wars. The premise of Star Wars – ‘long ago in a galaxy far, far away… cool stuff happened’ – means that limitless stories can be extracted from it (it’s a whole galaxy after all, over eons of time) and delivered in any medium. It can be told to you in films, cartoons & books or told with your input (games) or told by you (eg toys). 

I found this idea of a inexhaustible well of stories, consumed in a multitude of ways, very exciting. 

However, I also needed to express myself artistically. I didn’t just want to create an IP with the potential for traditional output. I needed to express these passions and ideas in a kind of abstract way too.

As the great OgiWorlds put it, this is ‘IP-as-an-art-project’. 

As a side-note, I love reading about physics. I don’t understand it, I definitely can’t retain any knowledge of it. But I find it very inspiring & can definitely mine it for a good story. 

That love helped my come up with a premise for my story and I got to work. As for the subject – I thought what better subject than stories themselves. 

My first idea was to combine traditional storytelling with experiential art. So I might host an exhibition of backlit* art in a room where part of the story is also delivered via music and a short film playing on old 4:3 tv’s and viewers could also pick up a novella and a graphic novel. The central thing was the more they consumed (eg listened to the music, looked at the art, read the books) the more of the story was revealed to them. Those who consumed it all would see how it all connects more & be rewarded with a more complete view of the whole. 

*backlit! I hadn’t even thought of screens back then. Kinda embarrassing  

It was a pipe-dream and I put it mostly to one side in favour of earning a living with commercial art. Creating art for the project was what I did in my own time, purely out of passion. 

Then crypto art came into my life. A suite of tools and an eco-system where multimedia experiences are totally natural. I wouldn’t have to rent a gallery out – I could create this experience virtually. I could play with ownership, gamification and most of all: explore and experiment with the warm feeling that I hadn’t even scratched the surface of possibilities for the project. Ways of doing it I hadn’t come close to thinking of were out there.

I could also fund it. Selling NFTs meant I could forgo commercial commissions & focus on what I see as fulfilling my true potential as a creator. 

I felt like I had found my home. 

So, nearly 3 years later, this is where I am. Everything I’ve created so far is now neatly ordered on theendlingsga.io . But I feel I’m still just getting started, and there is so much undiscovered country out there to wander through. 

Sorry that was a long answer. Clearly this kind of question gets my blood flowing  

As an artist who has successfully established yourself in traditional industries, what challenges or exciting possibilities do you find in the emerging NFT space? How do you navigate the transition from physical to digital art?

Well the transition from physical to digital was easy for me in a technical sense as I’ve nearly always worked digitally. From a selling-art perspective though, it was certainly an adjustment. Despite working digitally I come from a world of physical results (posters, prints, books etc) so that took some getting used to. But like I say, it felt like home so it didn’t take me long to embrace it. 

In terms of establishing, that initially was a rude awakening. I’ll be totally honest and say that there may have been some ego coming into the scene. I will admit that I thought my past work and client list would have a positive effect on my standing in crypto art. 

No one gave a f***. 

And that was definitely a net positive, both for me and the wider scene in general. 

For me – I had to learn to abandon any ego I had (and I don’t have a large one!). The climb to a decent freelance career was incredibly gruelling & the thought of doing it all over again was unnerving. But it did me the world of good from a personal pov. I am not full of myself! But maybe I needed a bit of a kick in the arse. 

For the wider scene, to me it simply means a level playing field. It didn’t matter whether you came from an established career or from no where – all that mattered was the art. 

Now.. that’s the utopian view. We all know there are so many factors at play and often art (or maybe craft) is the least of them. But aside from all the issues the scene (that any burgeoning scene) is suffering from, leaving ego at the door is definitely a good one. 

It should only be about the work, imo. 

Who are some of your favorite artists, both within the NFT community and from other disciplines, who have inspired you or influenced your artistic style?

There are so many. 

As mentioned, nostalgia is a big part of my work. Artists like Roger Dean, John Harris, Moebius, Druillet, Syd Mead, Ralph Bakshi… I could go on and on. 

Within the scene, there are just as many. I don’t like making lists though, because I’ve become friends with so many and hate the thought of leaving anyone out. 

The inspiration may not just be in a style sense but also in the ways they are using these new tools. I am always full of awe at those artists who use coding, contracts etc as part of the art piece. I’d love to weave that kind of thing into my project. 

Can you tell us about your creative process when conceptualizing and creating NFT artworks? How do you balance the technical aspects of digital art with your artistic vision and storytelling goals?

Well regardless of whether they’ll end up as NFTs, my process tends to be like this:

An idea pops into my head. I set about trying to make the idea. The end result bears no resemblance whatsoever to the original idea. 

I’ve learned over the years just to go with the flow. In fact, my best work always tends to come when I abandon any hopes of making something good and just make. 

Technically I don’t have any issues finding balance. The two things (concept and technicality) are interwoven. But, often I don’t actually have the ability to create what I want to (eg a complex 3D scene that’s beyond my skillset) .. so I try to learn how to do it, fail, and end up with something different based on what I did actually learn how to do  

Collaborations help with this. If you can, work with people who can actually do the stuff you can’t…

Many of your projects showcase a fusion of genres and media. What drives your interest in combining different artistic elements, and how does this contribute to the unique storytelling experiences you aim to create?

The answer is almost in the question! I want to create unique storytelling experiences, and using combinations of different artistic elements helps to achieve this. 

As mentioned, this is (like all art) a jumbled up reconstruction of a lifetime’s worth of input. This is all the books and anime and movies I consumed to escape reality (reality has never been my strong suit).. this is growing up in a country where the ancient is all around you, where folklore is woven into our shared consciousness, where church and state were inextricably linked and in a family that loves conversation around matters of theology and philosophy. This is a passion for making music and processing a fear of sharing it publicly. This is all of me, moulded into a love-letter to pop-culture and prog-rock…

So it comes out in all media, just like it went in  

Looking ahead, what are your future aspirations as an NFT artist? Are there any specific themes, narratives, or collaborations you hope to explore in your upcoming projects?

My aspirations are mostly about bringing more people to the project, hoping that they find some of it interesting at one end of the scale, and getting completely lost in the rabbit-hole at the other. 

I would like to use the tools and the tech to try and really break new ground. I haven’t done anything particularly new yet, but the fact that I’m here in the space and exploring is part of the process and part of the art. I’m in the right place for it (it’s just a tough time! :D) 

The themes and narratives so far have been limited to fantasy and sci-fi. But the project allows for any genre, so it won’t always be specific to those. Sometimes, in weaker moments, I worry that people see a comic-style image of a knight with a sword & think of it as lacking depth. Or see an unfinished story and see the entire thing as incomplete and therefore some kind of failure. This is what my inner voice tells me when it’s being as asshole. 

When I think like this though, I always remind myself that this is an art project. That themes and styles and subjects are there for a reason and are not a limitation. They are an expression of my inner-life. 

The project is unfinished because – I am unfinished (thankfully)! And actually I hope that it’s the type of project that has life after I’ve shaken this mortal coil and becomes someone else’s story. 

I’ve made some amazing friends in the space and been lucky to collaborate with them – incredible artists all. Artists like Eclectic Method on a couple of pieces, including ‘A Walk with War Dog’ [SuperRare]), and in-the-works with Victor Duarte, The Hiena and more. Watch this space  

The post Interview with Griff: Exploring the Intersection of Art, Storytelling, and NFTs appeared first on NFT CULTURE.

Anchor DAO: Empowering Artists and Reinventing Art with NFTs

In the dynamic world of blockchain technology and digital art, Anchor DAO stands as a unique collective of artists and collectors. Primarily based in Europe, their mission is to educate and support NFT artists and collectors with a focus on cybersecurity. Recently, we had the opportunity to talk to them about their journey in the NFT space.

Can you tell us about your background and what lead you down the path to becoming an artist and ultimately experimenting with NFTs?

We are a collective of artists and collectors, primarily based in Europe. Anchor DAO was born with the goal to educate NFT artists and collectors about cybersecurity best practices and to support them when security issues arise. Our operations are funded solely by donations, which we mostly use to help victims of scams in distress.

When did you mint your first NFT? What platform did you choose and why?

Our first NFT collection was minted at the end of 2022. Following the tragic events involving young women in Iran, we decided to curate a collection that narrates the history and culture of Iran and empowers women to have a voice. We titled it “Say Her Name” and invited artists from around the world to express their thoughts about the situation. The collection comprises a variety of meaningful artworks, poetry, and music from 23 participants, primarily Iranian women.

For every sale, 10% goes to Anchor DAO funds to support NFT artists and collectors with security issues. If the artist is an Iranian woman, 90% of the sale goes to her. Otherwise, 20% goes to the artist and 70% is used to purchase artwork from an Iranian artist.

We chose to use Foundation for this collection because it aligns with our style. We perceive OpenSea more as a PFP focused platform, while we find Foundation and SuperRare more suitable for 1/1 art.

How did you hear about The Crypt Gallery?

We personally met King Of Midtown and Vasia, and we were instantly drawn to their initiative and dedication. We had the opportunity to visit their galleries in NYC and LA, and we found the experiences they offer to be truly unique.

Why do you think IRL is so important in the space?

Real-life interactions offer a new perspective that adds deeper meaning to everything. The energy exchange that occurs in person is profound and touches parts of your heart that are untouched by virtual experiences.

Can you tell us one thing you cannot live without? (and why)

We can’t live without personal relationships with people who resonate with us. People who share our values and are in harmony with us can amplify our message and make it stronger. We believe in decentralization and the power it holds, and we believe it’s time for people to receive adequate education to use the blockchain for good and attain freedom.

We have the first bid on our Say her name collection . Thank you @shurooqamin for starting the auction on one of our favourite piece by @NTavallaee .

Let’s make our voices stronger #SayHerName #artcollectors #WomensRights https://t.co/efevoFb4pE

— AnchorDAO (@anchordao) April 5, 2023

Who is your favorite NFT artist? What makes this artist unique?

Archan Nair is our favorite NFT artist. His work is very inspiring and resonates with us at every level, conveying a very positive message.

What made you pursue NFT art?

Art is a form of expression of human consciousness that should not be limited, censored, or centralized. Blockchain represents freedom from agendas and censorship by institutions and countries. NFTs, in our view, are the perfect combination to enable every artist to freely express their messages for humanity.

If you could travel anywhere in the world where would you go? Why this location?

We would choose NYC, as it’s alive and vibrant.

What are your other passions besides art? Why?

We are passionate about technology as a tool to improve our lives and about exploring human nature because it never ceases to surprise us.

What was your greatest failure and what did you learn from that?

The most challenging aspect we have faced is making people understand that security in a decentralized world is essential. Unfortunately, many become interested only after they’ve been scammed, and once the pain subsides, they tend to forget. It’s a constant lesson in the importance of proactive education.

You can explore Anchor DAO’s work and follow their journey on Twitter @anchordao, and their collection on Foundation.

Featured Art:

• Say Her Name – Video, Music, and Poetry
• Say Her Name – Video
• Say Her Name
• Say Her Name

The post Anchor DAO – Say Her Name appeared first on NFT CULTURE.